Raku pottery was developed as ceremonial tea ware for Zen Buddhist Masters in the 16th century. Raku was originally prized in its simplicity and its avoidance of opulence, both of which were important to the Zen philosophy. The word “raku” conveys the enjoyment of freedom and so raku pottery was built without function or utility in mind.

It is believed that the spirit of the maker is incorporated into the raku shape and is therefore revealed naked (unglazed) at the foot of each pottery piece. It is said that if we remain alert to ourselves, in examining the raku form, we will recognize our own spirit and meaning.

American raku pottery dates to 1960 when a famous ceramic artist named Paul Soldner discovered the exciting results possible when a pot was placed in combustible materials when removed from the kiln. It differentiates from Japanese raku in that it focuses primarily on this post firing reduction. While both techniques embody the spirit of spontaneity, removing a piece from the kiln and letting it smolder in a combustible makes American raku pottery all the more exciting and unpredictable.

Workshop Description

Learn basic handbuilding techniques and work with a variety of raku decorating techniques.

Your work will be bisqued and ready to be glazed by the following class, where you will practice raku decorating techniques. Work size is limited to 6” wide and 10” high.

Workshop Dates

(Register for Saturdays or Sundays)

Feb 25 & 26
March 4 & 5
March 11 & 12
March 25 & 26

Each class is from 2pm to 5pm in Studio O3

Each participant will produce between 3 and 4 hand built forms, wheel throwing available upon request.

Raku Firing April 8 & 9

No prior ceramic experience necessary.

All materials provided.

Participants must be over 16.

Limit of 6 participants per class.